Disney’s wishy-washy sequel has sprung a leak

Properly, not less than it’s not “Wish.”

“Moana 2,” the sequel to the 2016 animated movie about an oceanic adventurer, is 20,000 leagues higher than Disney’s congealed Thanksgiving leftovers from final yr.

However that’s a low, low bar.

The studio’s newest likable musical is properly animated, has good characters and some good songs. Susceptible to repeating myself: It’s good.

So good, in truth, that the fast film can grate at occasions, like a 90-minute “It’s A Small World After All.”

However I’m 34 — not 6. Extra so than any Disney animated movie of the final a number of years, “Moana 2” is aimed squarely at very younger youngsters.

And its menagerie of cute creatures making humorous faces — Heihei the terrified rooster, a number of cuddly pigs, little Minion-like warriors who don coconut shells — will tickle little ones.

A phrase of warning, nevertheless: On this case, “for all ages” doesn’t imply “appealing to all,” however moderately “offensive to none.” The acquainted story is clean crusing from begin to end.

For Moana (Auliʻi Cravalho), now a seasoned wayfinder who’s adored by her village after her courageous deeds within the unique, the world is way too small.

Nonetheless staring longingly at her “friend” the water, whom she high-fives, she’s dedicated to discovering the misplaced island of Motufetu — a legendary place that connects the seven channels of the ocean and its far-flung peoples.

Throughout a ritual ceremony, Moana is struck by lightning and has a scary imaginative and prescient of the long run. She hazily views her residence deserted and desolate as a result of her tribe has been worn out by isolation.

Moana learns that if she takes her boat and follows a hearth within the sky, she’ll finally attain Motufetu, reunite the separated people and spare her village its imprecise, child-friendly demise.

As she prepares to set sail, her household and buddies inadvertently remind us that the sequel isn’t fairly as distinctive or involving because the 2016 flick.

“Show us just … how far we’ll go,” says her dad, chief Tui (Temuera Morrison), nodding to the memorable Oscar-nominated tune by Lin-Manuel Miranda.

The “Hamilton” creator really has no involvement in “2.” As a substitute, a quartet of latest composers (Mark Mancina, Opetaia Foa’i, Abigail Barlow and Emily Bear) approximate his particular model, inasmuch as one — or 4 — can.

With so many contributors, the soundtrack can appear written by committee. Distinctiveness goes overboard.

Loto (Rose Matafeo), a genius with butterfingers on Moana’s crew of misfits, will get to do some clumsy, awkward rapping in a Polynesian story that doesn’t cry out for it.

Bat-covered Matangi, a villain who is definitely not a villain and disappears after one tune, sings “Get Lost” — a watered-down girl-power model of Jennifer Lopez’s “Let’s Get Loud.”

Bear in mind when Ursula crooned about “living bold and free”? Nope. As of late, baddies are simply misunderstood loners who present upbeat encouragement.

The movie’s finest tune is the principle one: “Beyond,” the propulsive companion piece to “How Far I’ll Go.”

Very like the “Frozen” transition from “Let It Go” to “Into The Unknown,” “Beyond” is a darker quantity that’s much less about harmless self-discovery than the scary pressures of maturity. It’s catchy and replayable.

On Moana’s quest, which boasts a powerful storm finale, she is joined by two different quirky seafarers. There’s hunky historian Moni (Hualālai Chung), with whom administrators David Derrick Jr., Jason Hand and Dana Ledoux Miller doggedly guarantee she has no romantic chemistry, and cranky farmer Kele (David Fane).

However the one voice casting of observe, actually, is the return of Dwayne “The Rock” Johnson as Maui the wisecracking demigod.

A wannabe Genie from “Aladdin,” Johnson rattles off serviceable modern jokes. One is about butt-dialing. “You’ll learn what that is in 2,000 years,” he says.

Maui and Johnson will likely be again within the live-action remake of the 2016 “Moana.” Oy. Disney may need to contemplate reining in how far they’ll go.